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Then a miracle happens: Skunk Anansie are magically beamed into the new century from the toilet circuit venue they were last spotted at in 1998, and they embellish Bjork's An Army Of Me while Babydoll F-B-F-LPs some big robot samurai. Babydoll returns from Planet Gyrate to the magical brothel of dreams, and hatches a plan to escape, using the instructions of Mystical Kimono Dude - they must procure a map, a knife, fire, a key, and... something else. The final element, much like on Captain Planet, must be discovered by Babydoll through the course of their adventures. And those adventures involve, variously, kablammo-ing a horde of steampunk Nazi zombie soldiers, committing dragon infanticide, and dismantling a bomb on a train heading toward the International Daft Punk Cosplayers Convention. We don't really give a shit about any of our heroines, because neither does the film: they have no inner life, no story beyond "they are sex slaves in foxy pin-up outfits". They eventually begin to drop like flies, dispatched with increasingly distressing callousness. Babydoll is the most sinister of all Snyder's creations, however - for the first half an hour or so of the film, she is mute (beyond a few Nell-like moans and yelps). When she does finally talk, she might as well have just stayed silent. She exists for no reason other than to... shit, son, I don't know.